![]() | II
Intaglio's sophomore album is a comparatively gentle and atmospheric blend of neoclassical Death/Doom that finds its own distinct space. | ![]() | Intaglio (15-year Remix)
An album that helped kick-start the Russian extreme Doom scene in the early 2000's - what's not to like about Intaglio's debut seeing a re-release? | |
![]() | Glimmering Veil
The sophomore from Death/Doom band Superstatic is a complex, lengthy journey into crushingly bleak sci-fi/horror inspired territories. | ![]() | Dawning
Californian solo project Dawning offer a short but quite sweet example of raw, largely instrumental "live in the studio" jamming. | |
![]() | Melting The Ice In The Hearts Of Men
The latest full-length from Our Survival Depends On Us is a fascinating, sweeping, cinematic Post-Metal opus. | ![]() | Aamamata
Helevorn's latest full-length is something of a mixed bag, which doesn't maintain solid momentum between its flashes of brilliance. | |
![]() | Anthems To My Remains
This blackened Funeral Doom debut from Polish solo project Thorns Of Grief is a great mix of brutality and forlornness. | ![]() | Black Mass Wedding
The sophomore from US band Bestialord is a dark, Satanic exercise in '80s-style Doom Metal. | |
![]() | Exaltatus Mechanism
Abigorum's debut full-length combines an excellent sinister musical atmosphere with somewhat idiosyncratic vocals. | ![]() | I: Cold
Italian band Ars Onirica's debut is far too upbeat and poppy to hold any real Doom appeal. | |